I returned to Melbourne this month and visited a paint factory, watching the most luscious blue paint being made. Travelling and painting is a challenge, so I trialled cigar case paintings – the new old miniature version of painting. Easily fitting into a pocket, discreet amongst the shoppers, cute between the coffee cups, they achieved their purpose. My next exhibition will be in Melbourne. “Bright New Day” will be held at Brightspace in St Kilda next month. The first interstate workshop will be held there in the studio. It is full already and there is demand for another, so more Melbourne sojourns are being pencilled in on the calendar.
Portugal, Paris and Italy are also in the feasibility study stages for workshops. Planned for 2019 with steady interest and growing expectation coming together. If you would like to register your interest for one of these workshops please email me at firstname.lastname@example.org
I recently researched the "Old Masters" colours. Using a limited palette was challenging but so rewarding I applied it to my local landscape. It helps capture the winter sky on the south coast. Another limited palette that I tried was out of necessity. I was in Victoria last year and had to source my paints locally – from the one newsagent in town. There were only a few colours. All my paintings for that trip were easily identifiable. I am sure I will revert to using the full scope of colours available but it is good to push practice and use what is locally available.
A clean studio, with well organised supplies and systems has enabled me to be more creative. This month I have also taken on two studio assistants. Luke prepares the studio for workshops and Ethan packs away. He has the energy at the end of the day to clean when I am spent!
Some large commissions dominate my wall and encourage me to be bold with colour and expression. Encouraged, I find the seascapes and skies are an opportunity to use big brushes and lots of paint to good winter sky effect.
Flight time seemed longer than the numbers on the page, but we landed in Houston for a breather before heading to Charlotte. There was time for a few quick paintings that connected with people following our journey. It is home with precious memories so we were told. Across the other side of the country… Charlotte, and in particular Lincolnton, is Southern Charm and hospitality. ‘You’re welcome” is meant and pronounced with a smile.
Our first impression was tall trees, warm sun and yellow flowers dotted along the road. The studio was glorious, wide and welcoming; a fully stocked studio with fabulous hosts and assistants. Donna, Liz, Gabby, Zhon and others made the three day workshop flow beautifully. The students came armed with expectations and enthusiasm and were housed on site and in the immediate locality. The 14 acres stretched out and about, embracing woodlands and lanes. It was enough to provide inspiration for the first day where we sketched and painted and shared stories. The focus was on composition and the demonstrations were delivered to an engaged audience who then applied what they learned to their own masterpieces.
The second day was about sharing memories and the landscapes and stories abounded. More demonstrations and a discourse on colour encouraged the participants to try new skills and processes.
The final day was about imagined landscapes. The exercises allowed the artists to extend their imaginations and stories to embrace colour, texture and expressive painting techniques in their final works.
New York called. I was there 31 years ago on my birthday. I planned to repeat the experience. Brooklyn was…..interesting. Manhattan and Central Park were enthralling. I could walk the Park all day. We saw the Museum of Modern Art and the Guggenheim and filled out the few days soaking all that the Big Apple had to offer. Subways, grunge, blossoms and noise. The birthday came and went and left a strong impression – just as it did the decades before. I reflected on how far I had come as an artist and how much further I want to go. I feel like I am just beginning.
San Francisco was meant to be a stop over to confuse the jet lag but it became a stop in itself. The place was to my liking and temperament. The bay captured my imagination, the architecture caught my eye, the pace allowed me to catch up with myself. We walked and watched and breathed the salty air and prepared for home. We wondered if we would return.
At home and in my studio, I remember the smells and sounds and special places. The lovely people we met and the arty threads that bind. I paint and think and remember and tie the strings closer. They are pulling tighter. Pulling me back. I think I will have to go back. I have park places to explore and paint. People to see and share arty things with. Friends to see. Urban places to put on canvas.
Some workshop photos and paintings inspired by the trip...
Hi again folks, and thanks for stopping by!
This month I had my first studio workshop. The artists gathered. Expectation and excitement fuelled. They walked and sketched. They examined the place and made it their own. Each one different. I had an opportunity to demonstrate how I start a painting in front of a captive audience. They lunched and laughed and seriously talked about their art. Talk of a future workshops at a French chateau… the promise of a reunion in a year’s time firm in their diaries!
Preparations continue for my trip to the US in a week's time. I have not been to the US in nearly 30 years so I am very excited. I am doing a 3 day workshop in North Carolina, then zipping across to New York for some painting and I will be on the lookout for possible exhibition opportunities for the future. I can't wait to get to the Big Apple!
Meanwhile a great travelogue of paintings is appearing in my studio as I continue to paint for my Melbourne show in July. This month I have tried to think like Cezanne. Cezanne saw planes... solid shapes and fragmented planes in the landscape... he told us of the foundation of the scene, the geometry and solidity of the view. Using reference sketches and photos, this month I have been everywhere from the dusty back lanes of the wine country to the sombre, moody landscapes of the coast. I have been enjoying the process that my memories play in the outworking of these pieces... glimpses and impressions of places visited that begin to flit and disappear like stones falling into a pond. I have to capture them on my canvas!
I hope you are all well! Below is a selection of this month's work...
Lots has been happening in the studio this month, it's been hard to keep up with it all! Firstly I have a series of workshops planned at my Shellharbour studio... what started as a tentative expression of interest resulted in the first workshop being booked out within an hour, three more by the end of the day, people travelling from interstate and now a rather large waiting list. I couldn't believe it! Thanks so much to those who have signed up... my wife Kerrie and I are so looking forward to hosting this painting experience which includes a walk to the state park, painting and tuition in my studio and... Kerrie's famous 3 course lunch! Can't wait.
In another exciting development... I have begun writing an e-book about how to thrive as an artist in the digital age. Following on from loads of questions I have been getting at my new blog StudioDoor , this will be a comprehensive toolkit for all creative professionals trying to make a living from their art. If you have any questions or suggestions about what you would like to see included... please don't hesitate to get in touch and let me know!
In the studio this month it has been a mixed bag... my collection of Victorian countryscapes continues to grow in preparation for my Melbourne show in July. What seems to be emerging is a golden landscape of autumn trees and dusty lanes... rural Victoria in all its glory! As always, the Sydney foreshore continues to be a delight to paint... I've so enjoyed painting my old favourites... Balmoral Beach, iconic Balmain and of course Lavender Bay!
"Landscape at Coldstream", 35X45cm, oil on board
"Rocky Point Island", 85X85cm, oil on linen, $3,200
"Rain Passing at Coledale", 35X45cm, oil on board, $950
Healesville Landscape", 61X61cm, oil on board, $1750
"Lavender Bay in Blue", 35X45cm, oil on board
"Golden Lane", 61X75cm, oil on board
Hello again everyone, and thanks again for stopping by!
The year has kicked off with some rather extraordinary weather here on the south coast of NSW... squally, scudding skies, big sunsets and passing showers. I have never really been a painter of skies but, in a new development of my work, I seem to have taken to it with vengeance! I just never realised how much was actually going on when you look up. So... I have dropped my horizon line almost to the bottom of the canvas in an attempt to capture the many moods of mother nature.
I have another rather exciting announcement... I have started a new blog called StudioDoor. I do get asked a lot of questions, so this will be a deep dive into all aspects of my art practice including painting techniques, how I run my art business, random thoughts, travel stories, my daily routine... and more! If you are an artist I'm sure you will get a lot out of this as I explain the various aspects of my process. You can subscribe to receive a weekly update of the blog here or follow the blog on Instagram @mystudiodoor.
Also this month I have been to Victoria painting in the wonderful Yarra Valley. This will result in a series of paintings I will be showing in Melbourne later this year. While I was in Melbourne I also took the opportunity to research possible venues for this exhibition, and I have a big announcement regarding that coming up in my next newsletter. So until then... stay creative and keep being inspired!
Here's a selection of south coast scenes I have been working on so far this year...
As the calendar winds down for 2017 I'd just like to wish everyone a very Merry Christmas and a fantastic holiday season.
It's been an amazing finish to the year with the success of my Secret Sydney exhibition at Aro Gallery. With a total of 37 paintings sold and the opportunity to meet some of my wonderful supporters, it really has been one of the highlights of my career so far. Located smack bang in the arts precinct of East Sydney, the excellent lighting system, combined with the extraordinary expertise of my professional hanger Richard Butlin ensured that Aro Gallery was the perfect location to showcase my work. I have learned that being surrounded by professionals, right down to gallery staff and sign installers is the best way of allowing a show to run smoothly. Big shout out to all the great people involved!
As the year draws to a close it's time to contemplate what the new year holds for me. I always look forward to the start of the year as I am staring at a blank canvas, literally and professionally, with so many exciting opportunities ahead! Loads of new paintings to come, workshops and a couple of surprise projects as well... please stay tuned as the details are released.
Thanks again for the incredible support in 2017. I never take that for granted... it's the generosity of your comments and likes which keep me showing up in my studio every day. Please have a wonderful, safe Christmas and New Year and I look forward to catching up with everyone in 2018!
Here's a few photos from the show!
PS. There a still a couple of great paintings left in the catalogue here Sydney Catalogue
Just a quick note to let you know that the catalogue for my Secret Sydney exhibition is now available here:
Secret Sydney Catalogue.
This year I have been scouring the harbour foreshore for hidden glimpses of our wonderful city. From Woolloomooloo to Middle Head, from Lavender Bay to Mosman Bay… it has been a journey by foot and paintbrush to uncover the sparkling gems of Sydney Harbour. Also featured… recent paintings from France and of course, the toffee tin paintings!
In my only show in Sydney for the year I am thrilled to be exhibiting at Aro Gallery in Darlinghurst. I welcome old and new friends to again celebrate with a glass of wine on Wednesday, November 22nd from 6-8pm. The show goes from November 22nd – December 3rd so please put this one in your diary now! Hope to see you all there…
Another fantastic trip to France and plenty of new paintings! This time we travelled light, starting in Paris then catching the train to the Cote d'Azur via the Provence town of Uzes... before heading north to the stunning Alsatian town of Colmar on the border of Germany. Wowza!
Highlights included exploring the Bastille area of Paris where we stayed, a wonderful cooking course in Uzes, basking on the pebble beaches of Nice, catching the train to Italy for lunch, and finally a canal ride around the "Petite Venice" of Colmar whilst listening to piano accordion music. My senses are still so seriously overloded that even now I am trying to make sense of it all!
For the first time I dabbled with an acrylic palette, and I think you will agree from the results below...the results are remarkably "oil-like" whilst having the advantage of speedy drying time which is an absolute godsend when painting on the road. First stop in Paris was my favourite art store where I stocked up big on boxes of oil paints which I shipped home... so much cheaper to buy good quality oils in France!
Welcome also to my series of miniature paintings in toffee tins... you can see one below showing the wonderful rooftops on Nice. With a little square of French linen for a palette, and some very cool art deco pictures on the outside... I developed quite a liking (all right, obsession) for these pocket size paintboxes... to the point where I have bought many antique French biscuit tins and the like to continue my little series at home. Come along to my exhibition at Aro Gallery in Sydney next month to see my full range of tiny tin paintings!
Hope you enjoy the paintings below... and to see the full range of my latest Paris and France paintings which are currently available please head to my website at richardclaremont.com/paris--france
Well it's mid September already and that can mean only one thing...my annual trip to France is here!! In what has become an annual indulgence we will be returning to France to paint in Paris and sunny Provence... including Nice and the Cote D'Azur which will be a first! The Provencale town of Uzes is also on the itinerary and final stop will be the Alsatian town of Colmar on the border of Germany. Can't wait!
In what will be another first, the little paintings I do along the way will be available for purchase as I paint them...so if you follow me on Facebook or Instagram please keep an eye out for the daily paintings. Painting on the road is always a challenge... slow drying paint, weather, ridiculously distracting scenery...with all these factors I will have to stay focussed and organized. For the first time we will also be travelling the entire trip by train, so who knows... I may even be tempted to paint the gorgeous French countryside as it is rushing by!
In other news I am thrilled that this year I am again a finalist in the NSW Parliament Plein Air Prize with my painting of Echo Point.
In the meantime my Secret Sydney series continues for my show in November, smattered with a few of my remembered landscapes of Bathurst. Please enjoy some of this month's work below and I will catch up with you all when I return from France!
With my Sydney show now just over three months away I am working hard to make it all happen! What started as an occasional day trip to the harbour city has now become a fortnightly ritual...packing up my paints, booking some accommodation on Airbnb, and then uncovering the Sydney foreshore one beautiful bay at a time.
Although I grew up in Sydney I am discovering some little pockets I never knew about before...such as the beautiful Lavender Bay where I have just painted Wendy Whiteley's Secret Garden. Apart from favourites such as Mosman and Bradleys Head I have also set up my easel in Balmain and picturesque Lady Martins beach at Point Piper. If you have any suggestions for more of Sydney's hidden gems, please let me know!