Sometimes it’s helpful to see a landscape as a portrait. Head and shoulders above the rest of the composition.
Never exacting symmetry, but having the form of a mirror. See the land as negative space, now see it as solid rock.
See the light as the form on face, now space.
See the inlet as material, now as fluid .
Richard Claremont - artist. A peek into my studio. How I think. How I paint. How I run my art business. Bite sized daily chunks of goodness. Just me talking aloud, really. Join me for a chat over a cuppa.
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